I am fascinated by the immediacy of throwing and how my hands and metal rib leave movement and life behind in the clay, retaining the rhythm of the making process. Now equipped with a deeper understanding of each process, from kneading to firing, I have learnt that it is the clay in its raw state that guides my practise. I look to aged and weathered objects and surfaces for inspiration, especially those left with a rich patina and texture. My pots are made to be functional.

Intertwined with my throwing practice, I have enjoyed researching and developing my knowledge into vapour firings. I have begun extensive research into slips, clay bodies and the firing process. The combination of the kiln pack, salt or soda, slips, wood ash and well-seasoned kiln bricks give continuing varied and surprising results. These firings produce the rich and weathered surfaces I am looking for. I hope to continue my research into atmospheric firings and connect with other potters working in a similar way. I am currently working in terracotta, producing a range of planters and pots and a functional range too. I hope to build a gas kiln soon to continue my exploration into high fired stoneware clays.

I believe in the therapeutic nature of craft and the accessibility of clay as a material. Running clay-based workshops with other artists, exploring play, imagination, and free expression, and creating community has become an essential part of my creative practise. I will continue to explore working in this way and hope to put on further therapeutic workshops which align with this ethos.

I have experience teaching students in both throwing and hand-building in potteries, community centres and in schools across London and Stoke on Trent. My experience is varied and includes running children's clay clubs over summer holidays, clay classes for the over 65s and evening classes for adults. Additionally, I have run one-off workshops covering kiln building and firing, and preparation of raw materials.